Mickey goes to Mars!

This is a concept piece done for presentation. The original idea and rough layout was created by Jeff Shelly, Character Art Director for the Mickey team. I did the color sketch in markers, with Prismacolor linework and a little gouache accenting.

Our deadlines are usually tight, so marker renderings are a quick and efficient way to work. Especially when you need to bang out two of these in a day.

The secret lives of 'toons...

Tattoo's & T-Shirts...

rough
concept
art




















































All Images
TM & (C) 2007 Disney

The secret lives of 'toons...

This is Phil...

He never
gets things
right.

And
probably
never will.

"Bat-Guy"

In the early '90s I'd create characters and draw comics at home after working in advertising all day. I've always loved the form and the freedom you can enjoy working on your own stuff.

This page of nonsense was an excuse to satirize Batman from the animated series. I loved the show, it was close to what I imagined the Fleischer Studios would have done with the character, and I think Bruce Timm is one of the best artists working in comic books and animation.

A few months after my artwork was created, John Byrne did the same gag in a story for a Batman Animated Annual. There's no way he could have seen my work, nor could I have seen his. But we both went down the same path, including the fat guy in the window yelling at the costumed hero.

I'm convinced that our brains are like radios and sometimes we pick up similar transmissions.

Baby, it's cold outside...

I thought it might be a good time to post some unused Disney concept art from a Surf-Themed Design Program that I worked on.

Maybe it will warm us up a bit out here in Cali.






(All images are
TM & (c) 2007 by Disney)

For Iwao...

I joined Warner Bros. Studio Stores in late '94.
I showed my portfolio to Designer, David Harrison (He's now at the Disney Stores), and after a few freelance assignments I was offered a full-time position as Senior Illustrator. WB was a fun and challenging place to work, we were able to follow through on products from concepts to finals. No licensees in the way of a compelling product, and the opportunity to work with Illustrators and Designers who understood and appreciated the characters.
WB's design studio was originally in NYC, the following year it was re-located to Los Angeles, I stayed behind as a contracted freelancer and later moved out to L.A. in June of '96.

When WB & Turner merged we gained the Hanna-Barbera characters.

Our VP Director of Creative, Ruth Clampett asked H-B Design Director Iwao Takamoto to give a "Chalk Talk" to the Character Illustrators, an overview of the H-B characters, especially "Scooby-Doo". Iwao was very generous with his time and knowledge, we spent hours with him in a conference room and later in his private office at the old H-B Building. He was working on final pencils for a Scooby-Doo Style Guide. His pencils were amazingly clean and clear. Very lively.

I remember having a very informative and fun visit with the great Iwao Takamoto.

Scat Inking...

Taking a new
Brush Pen
out for a spin.

"Happy New Year!"

Ruff Stuff...

This is a rough drawing of my buddy Johnny's character "Dr. Monster". I occassionally draw Doc's strip in "Silver Comics", with loose layouts supplied by John. It's a great way of experimenting with different storytelling techniques, and a taste of what it might have been like working with Harvey Kurtzman. Although Johnny isn't as neurotic about following his roughs as Harvey was.

If you'd like to see some of my work in this genre, along with stellar artwork by Scott Seeto, Bryan Mon, Dan Beltran, Ruben Procopio, Mark Prudeaux and, of course Johnny Ortiz - pay a visit to: http://thesilvercomicsblog.blogspot.com/ And hit the Silver Comics link to order a few copies.
You won't be dissappointed.

'Nuff Said!

(Dr. Monster is TM & (C) 2007 by Juan Ortiz)

"Merry Christmas!"

Dwight meets Bjorn...

Another post containing an image of my friend Dwight. I did warn you that it was going to be a "Dwight Christmas", so here I am, keeping my word. This time out I've included my little buddy Bjorn. I don't remember how it happened, but my original concept for Bjorn was that he'd be a buddy of Dwight's. I remember asking Dwight if he'd mind and he said "Oh, not at all. I'd be tickled to death!" That's how Dwight talks. Anyway the idea was "Bjorn and the Big Guy". For whatever reason, I decided to change gears. But I thought you guys who have been following this nonsense might get a kick out of seeing this visual.

I really feel like I "nailed" Dwight in this one...

So, my friends, please enjoy "Bjorn meets the Big Guy".

A "Dwight" Christmas!

Ralph Kramden had: "Bang Zoom!", little Arnold asked:"Whut'chu talkin' bout, Willis?", Fonzie exclaimed:"Ayyyyyyy!" and JJ bellowed:"Dy-no-mite!"

For Dwight it's always been: "Hello There!", barked enthusiastically to everyone he meets.

S-p-a-c-e-d Out

DWIGHT & me

This is my buddy Dwight. This big mazuma stands about six foot four in his climbing shoes, but appears to be much taller. I rarely do caricatures, but Dwight has always been one of my favorite models. When producing art a few years ago for "Scooby-Doo" children's books Dwight was my right hand man, handling all production and working side-by-side with me on color rendering. He's one of the best collaborators I've ever had the pleasure to have worked with. And he's a great friend.

We met ten years ago, when Dwight was hired as a Sr. Illustrator at the WB Stores. This sketch is from the time we were located in the Dalt's Building in Burbank.

Nowadays Dwight is an Illustrator at The Disney Stores, in their Pasadena offices.

Big Apple Circus

A Golden Book that didn't pan out...

These cover roughs were created for a "Lift-a-Flap" Activity Book that was cancelled when Golden Books was sold a few years ago. I was in the process of creating two books for them at the time they closed their doors. The other one was a Coloring Book, and I'm still hoping they publish it some day.

I always try to create clean, easy to read layouts for covers and story art so my contact can present them without a lot of explainations and misinterpretation. It also gives their digital colorists & designers the chance to start laying in colors and type. I'll work looser if I'm doing the pitch in person, but this client was 3,000 miles away.

Working a little tighter on layouts saves me plenty of hours when I'm creating the final approved art.

tick-tick-tick-tick-

Light & Dark

These days I like warming up by sketching the little guy, it's very relaxing.





I don't remember what inspired me to make this ink sketch of "Terror" in '93, but it spooks me a little.

Promo Art '91

Happy Birthday, Jack Davis!

Jack Davis is the "World's Greatest Cartoonist", and I'm one out of millions of his fans who feel this way. First time I saw his art was on Topps Bubble Gum Cards. The theme was monsters and I was hooked at first glance. He is now, and will always be my favorite artist.


















As Creative Director of The Honeymooners Comic Book in the late '80s I had the opportunity to work with Mr. Davis when he illustrated the wrap-around cover art for our Coney Island issue. It was a simple collaboration, the only direction he was given was: The Honeymooners cast in Coney Island, and try to work Nathan's Famous Restaurant into the visual. When the art arrived it was Golden Age in size, a massive ink and watercolor masterpiece that I stared at for hours, amazed at every detail in the piece.
I actually got to make a minor revision on it. Jack the consummate professional was protecting us from copyright infringement by changing the logo to read: "Nathon's" instead of "Nathan's". We had an aggreement with the restaurant to use their logo, so I got the opportunity, with Jack's permission to change the "o" to an "a".
I can still remember how nervous I was as I laid down the first few strokes of red gouache paint.
Speaking of copyright infringements, none are implied in this post, so every jpeg has been labeled to its respective holder. with the exception of the "Get Smart" artwork, which I'm assuming is (c) NBC.

I'm not aware of any current books dedicated to Jack's art, but Fantagraphics just released "The Comics Journal Library of Harvey Kurtzman" and it's chock full of Jack Davis art and interviews. Only $19.99 Cheap! Run out and get a copy today!

Mr. Jack Davis is 82 years young today, and hopefully playing Golf right now.

more Ink...

Ink

Enjoying a few days off and catching up on reading and drawing. Read Jordi Bernet's new "Clara", Fantagraphics' latest "Dennis the Menace" collection and their first volume of Segar's "Popeye". Then I pulled the complete EC "Panic" collection out and pored through the work of Davis, Elder & Wood. I got jazzed and had to take out the Winsor & Newton #2 brush and a bottle of Higgins Ink and have some fun.

For the last ten years I've mainly worked in pencil. Or felt tip pens. Sometimes Black Prismacolor pencils. Lately I've been trying to re-develop my traditional skills, so I've been doing a lot of sketching in pencil, instead of using the non-photo blue pencil as a crutch.
Now I'm trying to get a handle on brush inking.

Hopefully, continued practice will bring better results.

Happy Thanksgiving!

"Do I
smell
Turkey?"


Happy
Holiday
to all
of you
Blogging
Pilgrims!

"Hey... nice dog!"

Still
having
fun
at
Coney
Island.

?

Coney Island

I like the idea
of sending
"the little guy"
to places
I can't visit
right now.

After talking with
my friend Hope
about Coney Island
at work today,
I've been thinking of
"Nathan's" Hot Dogs
& French Fries.

Hence the sketch.

Uh-Oh...